If Drama Be the Love of Food. Eight plays to accompany a meal, with an appendix from Cervantes: ‘Danish with Icing’ (3M and 2W), ‘Buttered Parsnips’ (4m and 2W), ‘O Happy Country. [Three] scenes from Thomas Shadwell’ (3 M, 3W and extras), ‘Dagda is My God’ (2M), ‘Dangling Participle’ (1M and 1W) and ‘Centauresse’ (2W), ‘Dancing in the Round’ (3M, 3W and musicians); ‘Pyramus and Thisbe’, (9M and 2W) after William Shakespeare; and ‘The Show of Marvels’ (8M, 3W and Sundry extras) by Miguel de Cervantes, 2024, x + 212 pp.
Synopsis
* A separate, revised edition of this play comes with the book.
These plays of different length have a domestic function, and may be read or staged separately. Guests arrive for a meal. Before they eat, they may perform one of three antipasti: ‘Danish with Icing’, a satire on modern global business; ‘Buttered Parsnips’, a dark comedy on a singing lesson with roots in Beaumarchais and Ionesco; and ‘O Happy Country’ a collection of vignettes on English society derived from the Restoration dramatist Thomas Shadwell. During the meal they may choose one or all of three short duologues that require no stagecraft: ‘Dagda is my God’, ‘Dangling Participle’ and ‘Centauresse’. After they have eaten, they may select one of two digestifs: ‘Dancing in the Round’, a wry fantasy about the modern editorial handling of Ovid; or ‘Pyramus and Thisbe’, a much loved and partly updated episode from Shakespeare’s A Midsummer Night’s Dream. An Appendix includes the author’s newly translated version of’ the entertaining one-act foray into group hypnotism, The Show of Marvels by Miguel de Cervantes.
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